Yesterday I took the bus - for the first time since March 11. I wanted to find out what bus travel is like these days, how frequently the buses would be running and how easy (or not) it would be to practise physical distancing on public transit.

I planned the trip for a Wednesday on purpose. Seniors ride for free on Wednesdays and we do not swipe our Presto passes on the bus (unlike the LRT). I didn't want to travel during rush hour (to the extent that there still IS a rush hour), nor did I want a long trip. So I decided to take the no. 88 along Baseline, just up as far as the Centrepointe and Pinecrest Cemetery area. The weather was overcast and showers were predicted, but it was a comfortable temperature for walking. I figured that if I felt really uncomfortable at any point, I could get off the bus and walk at any point along the way.

I left the house just after lunch. I didn't have to wait long for the bus. It was one of the big long ones which meant there were two doors you could board by, and even with the front part roped off, there was plenty of room. I wore a mask, as did most of the other passengers.

At Algonquin Square (I think that's what they call it now, though I always still think of it as Shoppers' City West), quite a few shops are now open, although with some restrictions. The dollar store actually had a physically-distanced line-up outside, of perhaps 7 or 8 people. The sports store was open, as were maybe half the clothing stores (one even had a sign up stating that they accept all forms of payment, including cash).

I only went inside two stores: the drugstore and the LCBO, and neither was especially busy. There were the now-standard markings on the floor and in the LCBO, arrows on the aisles indicating which direction to approach them from. At the LCBO, there was someone standing outside who asked if I felt ill or had had any symptoms of illness in the past couple of days; he also handed me a newly-sanitized shopping cart.

On the way home, the bus was a little busier than the one I had taken to get there. I ended up on one of the sideways seats inside the accordion part of the bus - certainly not my preferred spot, but at least the journey was a short one.

I had only been out for maybe an hour and a half, but I couldn't believe how tired I felt once I got home. Am I getting old and out of shape from too much sitting around at home? Maybe. I think a lot of it is just the mental effort of all the logistics involved in planning even a short outing. The other thing is that in the pre-Covid era, if I got tired while out and about, I would just pop into a Bridgehead or Second Cup and sit down for a while with a cup of coffee and a good book. Nowadays that's not an option.

I hope some of the more interesting venues open up soon. Frankly I don't understand why somewhere like the National Art Gallery can't open up, at least partially. They have some wide open spaces there where physical distancing shouldn't be a problem. They also have a large cafeteria and a decently sized gift shop which would bring them some no doubt much-needed revenue! Maybe they could even stage small outdoor concerts or appropriately distanced dramatic events on their terraces and other parts of their grounds? Certainly events in the auditorium or children's day camps probably need to be postponed or adjusted for now, but I'm thinking they really don't need to stay closed off completely. If they can hold an anti-racism protest (as is planned for tomorrow) along Sussex Drive even during a pandemic, surely there's room for the arts as well?

Anyway, I'm hoping that in a week or two, maybe I'll be able to plan a slightly more adventurous outing!
As usual, I attended Music & Beyond this summer - it was celebrating its 10th year. In many ways, it was the best year ever - more "beyond" concerts than in the past couple of years, still a great selection of harp concerts and concerts from the Baroque era, plus at least one exciting new venue - All Saints Event Space in Sandy Hill. The main frustration was that sometimes there was quite a long distance to travel (on foot) between concerts. Still, I made it to 17 concerts over the 2-week period of the festival and definitely got my money's worth out of my early-bird pass.

So what were the highlights? An Ocean Apart, which highlighted the linkages between songs of England and those of Nova Scotia, was interesting and featured a number of my favourite composers. So were the concerts offered on the first Sunday - Music and Water, and Return to the Garden. Both of those featured a harp, which is an instrument I love. The baroque harp was also featured in "Sparrows, Doves, Ravens, Owls", a concert of mostly 17th century compositions by Purcell, John Jenkins, John Blow and others.

In the "beyond" category, I went to "Music, art and literature in the life of Igor Gouzenko", where Julian Armour actually read out part of a letter that Gouzenko's daughter wrote to him, and "Music and Law", with retired chief justice Beverley Mclachlin and mystery author introducing her selections with wonderfully entertaining stories about how those particular pieces related to legal matters. On the second Saturday of the festival, I also attended a very interesting concert of music and dance. Then on the Monday there was Sherlock Holmes and Music, which as something of a Sherlock Holmes aficionado, I obviously had to go to!

At The Planets, I got to hear the newly-restored organ at Notre-Dame Basilica on Sussex Drive. That was a treat, although it was a warm evening and the venue, surprisingly, was not air-conditioned.

I'm not going to describe all of the concerts I got to, but I do want to spend a bit of time on Music and the Brain, with Michel Rochon. It was mainly lecture format, interspersed with short piano segments, but Rochon is also a pianist, composer and medical and scientific journalist currently teaching at l"Universite du Quebec a Montreal. He said some interesting things - for example, he feels that improvisation should be taught (insofar as it can be) or at least should be a component of music education. He mentioned how he feels while improvising that it isn't really him doing the playing - shades, perhaps, of "automatic" handwriting? He also said (in answer to a question from the audience) that he believed absolute pitch (sometimes called "perfect pitch") to be more of a drawback than an advantage; I found that slightly inconsistent in light of his views on improvisation. I will say that music teachers of my youth tended to say that playing by ear instead of reading the music in front of you was a negative thing, perhaps promoting lazy habits or something? I don't really know what the current views on music education (whether of kids or adults) may be - I guess I'll have to consult family experts on that one! Anyway, I'm now reading Michel Rochon's book "Le Cerveau et La Musique". He writes in a very accessible style, geared to the lay-person but with plenty of suggestions for further reading.

After Music & Beyond came Chamberfest. Rather than getting a fuIl pass for that, picked up a "pick-six" pack of six general admission tickets. That meant a choice of three concerts for the two of us. All three of them were at the National Gallery auditorium - Baroque Treasures, Eybler Quartet and Clara Schumann 200th birthday celebration. I won't go into more detail about them, although I enjoyed them all. But they afforded us a great opportunity to visit some of the artworks, including their summer blockbuster of Gauguin works and the photography of Dave Heath.

I've got a couple of CDs on order at the moment - one of them the new Bruce Cockburn album and the other some "lost tapes" of Ian & Sylvia.

We've also gone to a few movies this summer, and most of them also seem to be about music _ Yesterday; Leonard and Marianne; and Rocketman (about Elton John). I may provide some reviews at a later date, but for now I think I'm all wrote out.
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