This year has been unusually bad for houseflies. Or maybe good for them but bad for us. We try to keep a fly-swatter or folded newspaper always at the ready. But for the past few months, the newspaper has been pretty thin. On balance, I'd rather deal with the flies than with mice, raccoons, skunks or stinging insects like wasps and yellowjackets, but it's rather disconcerting finding a fly that's drowned itself in your beer. On the plus side: I was nearly finished my beer at the time, the fly died and presumably it died happy. But sometimes I'm truly perplexed by the human hierarchy of how we value, or don't value, the lives of the various animal species.

So far I haven't been served with a summons for causing unnecessary suffering to a house-fly. And unless I come across a fly with a funny white head, I doubt that I will. Still, I'm always reading stuff about attracting bees and other cute insects to your garden. I wonder where my rights leave off and those of other animal species assume priority?

In this summer of the plague, with human health and safety at risk, Bluesfest is holding drive-in concerts. If it helps even in a small way to salvage a major summer festival, then I guess more power to them. But this is far from the first disaster to befall Bluesfest.

Two years ago, Bluesfest narrowly escaped cancellation when killdeers decided to nest along a path right near where the Main Stage was to be set up. Well, turns out killdeers are endangered or threatened or somehow vulnerable as a species. Eventually organizers managed to safely move the nest, inch by inch or centimetre by centimetre until most of the nestlings hatched safely. I won't say outright that I oppose the approach they took, but I do sometimes find myself baffled by how various interest groups decide what's important and what isn't.

I should add here that I'm no great fan of Bluesfest (and in fact have yet to attend it), particularly since it eventually took over Folkfest (later Cityfolk) and made it a shadow of its former self. Not to mention how it always ran concurrently with Music and Beyond (which I've attended every year) and resulted in major parking problems (and in one case a car break-in - I think that was the night the Bluesfest stage blew down) in the downtown core.

I would also point out that I generally avoid harming other animals as much as is, well, humanly, possible. I don't eat meat; we ensured that no raccoons were harmed when they were evicted from our attic and when we needed mousetraps, we used the humane type (although our cat had other ideas). The aforementioned cat, though, admittedly is not fed a vegetarian diet. Cats just aren't designed that way!

One year, we managed to get yellowjackets (which resemble wasps or hornets, at least to a lay-person like me) in one of our backyard compost bins. I didn't perceive much sympathy on the part of those who are supposedly experts. Let them bee - or in this case yellowjacket - seemed to be the gist of it. But when you have curious small children and household pets who like to hang out in My Big Backyard... well, that's not a "solution" I was willing to contemplate. My partner tried turning a hose on the composter-contents at a point after sundown when they seemed relatively dormant - but to no avail. The solution that did finally work (though it took a full season) was to wrap a tarp around the infested composted to smother the creatures. Luckily we had a spare composted to use in the meantime.

So honestly, people. I know Nature as we personify it can seem cruel. But we're part of nature too and we're animals too. It's not against the law to kill animals for food as many people do, with the full knowledge of what we're doing. I say if we just take the time to weigh our options and guard against wanton bloodthirstiness, that's good enough for me.
As usual, I attended Music & Beyond this summer - it was celebrating its 10th year. In many ways, it was the best year ever - more "beyond" concerts than in the past couple of years, still a great selection of harp concerts and concerts from the Baroque era, plus at least one exciting new venue - All Saints Event Space in Sandy Hill. The main frustration was that sometimes there was quite a long distance to travel (on foot) between concerts. Still, I made it to 17 concerts over the 2-week period of the festival and definitely got my money's worth out of my early-bird pass.

So what were the highlights? An Ocean Apart, which highlighted the linkages between songs of England and those of Nova Scotia, was interesting and featured a number of my favourite composers. So were the concerts offered on the first Sunday - Music and Water, and Return to the Garden. Both of those featured a harp, which is an instrument I love. The baroque harp was also featured in "Sparrows, Doves, Ravens, Owls", a concert of mostly 17th century compositions by Purcell, John Jenkins, John Blow and others.

In the "beyond" category, I went to "Music, art and literature in the life of Igor Gouzenko", where Julian Armour actually read out part of a letter that Gouzenko's daughter wrote to him, and "Music and Law", with retired chief justice Beverley Mclachlin and mystery author introducing her selections with wonderfully entertaining stories about how those particular pieces related to legal matters. On the second Saturday of the festival, I also attended a very interesting concert of music and dance. Then on the Monday there was Sherlock Holmes and Music, which as something of a Sherlock Holmes aficionado, I obviously had to go to!

At The Planets, I got to hear the newly-restored organ at Notre-Dame Basilica on Sussex Drive. That was a treat, although it was a warm evening and the venue, surprisingly, was not air-conditioned.

I'm not going to describe all of the concerts I got to, but I do want to spend a bit of time on Music and the Brain, with Michel Rochon. It was mainly lecture format, interspersed with short piano segments, but Rochon is also a pianist, composer and medical and scientific journalist currently teaching at l"Universite du Quebec a Montreal. He said some interesting things - for example, he feels that improvisation should be taught (insofar as it can be) or at least should be a component of music education. He mentioned how he feels while improvising that it isn't really him doing the playing - shades, perhaps, of "automatic" handwriting? He also said (in answer to a question from the audience) that he believed absolute pitch (sometimes called "perfect pitch") to be more of a drawback than an advantage; I found that slightly inconsistent in light of his views on improvisation. I will say that music teachers of my youth tended to say that playing by ear instead of reading the music in front of you was a negative thing, perhaps promoting lazy habits or something? I don't really know what the current views on music education (whether of kids or adults) may be - I guess I'll have to consult family experts on that one! Anyway, I'm now reading Michel Rochon's book "Le Cerveau et La Musique". He writes in a very accessible style, geared to the lay-person but with plenty of suggestions for further reading.

After Music & Beyond came Chamberfest. Rather than getting a fuIl pass for that, picked up a "pick-six" pack of six general admission tickets. That meant a choice of three concerts for the two of us. All three of them were at the National Gallery auditorium - Baroque Treasures, Eybler Quartet and Clara Schumann 200th birthday celebration. I won't go into more detail about them, although I enjoyed them all. But they afforded us a great opportunity to visit some of the artworks, including their summer blockbuster of Gauguin works and the photography of Dave Heath.

I've got a couple of CDs on order at the moment - one of them the new Bruce Cockburn album and the other some "lost tapes" of Ian & Sylvia.

We've also gone to a few movies this summer, and most of them also seem to be about music _ Yesterday; Leonard and Marianne; and Rocketman (about Elton John). I may provide some reviews at a later date, but for now I think I'm all wrote out.
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