blogcutter

 This week's episode is Wizards & Spaceships' latest, "Postcolonialism in SFFH ft. Suzan Palumbo." Suzan is a rising star in the Canadian speculative fiction scene and also just a very lovely, funny person. In the episode, she discusses the tropes and traditions that are baked into genre that reinforce colonialist mindsets, and the BIPOC authors pushing back against it. It's really good go listen.

Just finished: Censorship & Information Control: From Printing Press to Internet by Ada Palmer. This was really good. Feels like even though it's pretty recent and deals mostly with history, it could use an update as the technology for censorship has advanced rapidly in the past few years, so I hope she/her students are still doing some work around it.

Currently reading: The Magic Mountain by Thomas Mann. Usually in December, after I've hit my Goodreads goal, I read something that's gratuitously long and would otherwise fuck up my goal if it didn't spill over into January (yay for anything and everything in my life being quantified and gamified, love that for me). This year's winner is my high school English teacher's favourite book, which he recommended but said that we wouldn't get until we hit middle age. Well, now I am middle aged so I'm reading it.

It's a curious book. I always hit the literary classics and go like. Oh. Haha. This is stranger and funnier than I imagined.

Me: I guess I will finally read literary classic The Magic Mountain.

 

Thomas Mann: Allow me to introduce my himbo failson, Hans Castorp. He is pure of heart and dumb of ass.

Am I enjoying it? I dunno, as much as you can enjoy a 1000+ page book which goes into detail about the breakfast, second breakfast, rest period, lunch, dinner, second dinner, etc. of the character. Which is the point, really—the mountain in question is a liminal space where in theory, the tuberculous patients can leave, but don't. But it's a slog.

 Here's a series from a week or two ago that you really should check out: It Could Happen Here's "Darién Gap: One Year Later." It's four parts and I recommend listening to the whole thing, as it's some truly brilliant reporting, but if you are like me, the one that will stand out the most is the second episode, "To Be Called By No Name." It begins with a song written in 1948, Woody Guthrie's "Deportees (Plane Crash At Los Gatos)" that has horrifying resonance now, nearly 80 years later. From that jumping off point, James discusses the media coverage of the manufactured migrant crisis.

The four part series focuses on two migrants in particular, Primrose and her daughter Kim, from Zimbabwe. Primrose's family opposed the regime there and her father was disappeared; she and her daughter fled a deadly situation to try to claim refugee status in the US. The plight of migrants from African countries is even less discussed than those from Latin America or the Middle East; in detailing Primrose's story, James makes her visible, a heroic protagonist facing impossible odds, someone who lodges in your heart and stays there. It's great storytelling as well as great journalism. He refuses the objectivity of the mainstream reporters, who just don't bother to talk to migrants, let alone give voice to their names and stories.

Even posting about this tears me up. I know a lot of you reading this are doing your best to fight ICE but I want to beat every one of those bastards to death with my bare hands and by the end of this series, you will too.

 Just finished: You Better Be Lightning by Andrea Gibson. I never had the privilege of seeing Gibson perform, other than on YouTube, so this is as close as I'm ever going to get. They really were a brilliant poet. Some of the poems lose a bit in print—they tend towards the storytelling and autobiographical, and that reads much less powerfully on the page than in speech—but this is a fairly minor critique. Gibson writes powerfully about queerness, gender, disability, and the climate crisis, and their furious energy is made all the more poignant by their premature death earlier this year.

Currently reading: Censorship & Information Control: From Printing Press to Internet by Ada Palmer. This is an exhibit based on a course that Palmer taught and it just makes me wish I could take the course. I'm screenshotting bits to text to people. Her central argument is that the total state censorship we see depicted in 1984 is the exception rather than the norm; more often censorship is incomplete, self-enforced, or carried out by non-state entities like the church or marketplace. This is obviously important when we talk about issues like free speech, which tends to be very narrowly defined when most of the threats to it have traditionally not come directly from the government (I mean, present-day US excepted, but it took a lot of informal censorship to get to that point).

The bit about fig leafs, complete with illustrations, is particularly good, as is the bit on Pierre Bayle, who hid his radical ideas in the footnotes to his Historical and Critical Dictionary in lengthy footnotes that he knew no one would read.

You can get this for free if you want to read it btw.