They are going to beat you, and eventually kill you, regardless of whether your protest is violent or non-violent.

Just finished: real ones, Katherena Vermette. This one ruled. I don't have a lot to add to what I said last week except that I really enjoyed it. If you want a good pairing (or you're not super familiar with the context of the Canadian arts scene), Jesse Wente's Unreconciled provides a great non-fiction one. But yeah, I loved the characters, I loved the poetic, Impressionist writing style, it was emotionally affecting without high stakes or pacing, which is something that genre writers could learn a lot from (more on that later). Vermette seems to be putting out great books with impressive frequency but this is the one I've enjoyed most so far.

The Siege of Burning Grass by Premee Mohamed. This one was imperfect and ambitious, but I'll take that over boring any day. It's a master class in how to do some interesting worldbuilding; there's a lot going on in the background, and you get it only as a sketch. Oh yeah, there are lizard guns. Why are the guns lizards? Eh, don't worry about it, keep up. It's pretty New Weird in the tradition of Miéville and Tchaikovsky (positive) so I liked that quite a bit.

I have two big critiques, one big and one small. First, the small. This is critically acclaimed, nominated for a bunch of awards, and put out by a real press. And yet. And yet. Alefret, the main character, has one leg. This is clearly established in the opening line. His leg is slowly growing back thanks to an experimental serum that's delivered via wasp sting (again, cool) but it's slow and he's on crutches for the entire book, something that is done very well and really gives a good sense of the character's physicality. And then there is a scene where he is having dinner with two elderly sisters who have a cat. Under the table, the cat brushes up against his ankles and he holds his legs very still. WTF? Which editor let that through?

My bigger complaint is that I don't think she quite lands the ending. As I've said, it's ambitious, a story about whether pacifism can survive a horrific war.
( spoilers )

Cottagers and Indians by Drew Hayden Taylor. This is a one-act play based on the true story of Anishinaabe people trying to re-seed lakes with wild rice, over the objection of white cottagers. And it's amazing, obviously. Everything he writes is great and this is particularly affecting. It's a dance between two difficult, complicated characters, and while the white cottager character could easily be a hideous caricature, Hayden Taylor is too much of a humanist to take the easy road out. There's also a great afterword by Leanne Betasamosake Simpson, because of course there is.

Currently reading: Dakwäkãda Warriors by Cole Pauls. This is a bilingual (!!!) Indigenous futurist comic about two defenders of the earth, beautifully illustrated in a Formline style. If you want to learn Tahltan, I can't think of a cuter way. There's a lot of pew pew pew and it's very fun.

 When someone tells you that something is "inevitable" or "here to stay," you shouldn't believe them. You should, in fact, do something between vicious mockery and other, more high-level spells on them. They are lying to you and they want you to suffer.

In the past, massive political and socioeconomic changes were enforced through violence. Before Margaret Thatcher could have people believing that There Is No Alternative, she had to crush the miner's unions. Before neoliberal structural adjustment policies were enforced on the Global South, governments and corporations had to rig elections, murder Indigenous people, and starve their populations. 

So why are we accepting this massive change—the enshittification of all things from labour to education to the arts—that no one asked for and no one wants? Because we are a very passive, bovine population that has been conditioned for decades to accept anything that Big Tech tells us that we want. Which is why I get daily emails from companies and my employer giving me best practices for incorporating plagiarism into my pedagogical practice, etc.

The handful of independent tech reporters who still have brains, like Ed Zitron and in this case, Paris Marx, put the lie to that. Tech Won't Save Us has a great episode, "Generative AI is Not Inevitable with Alex Hanna and Emily M. Bender" that discusses how obvious it is that gen AI has not lived up to the hype, that it's an industry propped up by wishes and VC capital rather than an actual market, and that we can actually nip this in the bud. It's very empowering and I'm definitely going to check out the book that the two guests wrote.