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Just finished: A Sorceress Comes To Call by T. Kingfisher. I ended up really loving this one. Reading all these award-nominated books has been a fascinating experience tbh, because (with a few notable exceptions) it's all pretty high-quality, but it's just off enough from what I'd normally read that I get to speculate about where my taste deviates from other people's. Also, because this has the worst book cover I've seen in awhile—to be clear, I've seen three covers for this and they all suck—but imo is much better than the other things I've read by her so far.

Anyway, as to the actual content. This is a dark retelling of the Grimm Brothers' "Goose Girl," which I had never heard of before, and which is already quite dark, seeing as it features the severed head of a murdered horse. It actually doesn't have much to do with the original story beyond involving a horse, a flock of geese, and some unfortunate marriage proposals. But the fairy tale frame and vaguely Regency setting is one of its strengths—Kingfisher is free to do a lot of interesting character work within that structure.

Case in point: Hester. I mentioned that the story was about Cordelia and her mother Evangeline, the aforementioned sorceress, but Cordelia is really a decoy protagonist, and the heroine of the story is Hester, the sister of the man that Evangeline intends to marry. Hester is 51 with a bad knee and a cane and has refused marriage to the man she's loved for years because she values her independence. She plays cards with a group of other badass middle-aged ladies and takes zero shit. I love her. The story is really the story of solidarity between women, from Hester and her friends, to Cordelia pushing back in any way she can against her mother's abuse and expectations of marriage for her, to the maids and servants of the household. Also it has the right level of darkness for something like this—there was a genuine sense of peril that I haven't seen in a lot of the horror-adjacent works I've read lately.

Currently reading: Alien Clay by Adrian Tchaikovsky. I think (unless the last book I have to read is amazing), this is going to end up being a Tchaikovsky-vs-Tchaikovsky decision for me with the Hugos. So far this one is edging out Service Model on concept alone, but I'm under halfway through, so we'll see. It's about a dissident scientist exiled to one of three newly discovered exoplanets, called Kiln. Earth is ruled by the Mandate, which believes in strict social control and scientific orthodoxy. Arton is an unreliable first-person narrator, so while he initially seems to have been exiled for following the scientific method to is logical conclusions, he quickly reveals that no, he was also a political revolutionary.

The journey from Earth to Kiln takes 30 years and is one-way for the prisoners sent to work there, which means that the Mandate is able to tightly control information about it—namely, that there are alien ruins on the planet, so not only does it have life, but it had at least at one point sentient life. Also, the life that they do find is Jeff Vandermeer-level fucked—each organism is made up of a bunch of other organisms that live in parasitic relationships, making taxonomy a nightmare. Arton occupies a difficult position where, as a biologist, he has a certain level of privilege amongst the prisoners and is exposed to less danger than most, but also he's linked up with the more revolutionary elements and has nothing to lose but a nasty death by rebelling.

Anyway, this is really cool and I'm into it.

 Listen this is the best episode of a podcast you'll listen to all week. Maybe ever. In this podcast lies the seed of all other podcasts.

The Aurora-nominated podcast Wizards & Spaceships episode "The Ur-Pisode: The Queer Heart of The Epic of Gilgamesh, ft. Julian Gunn" is about the Epic of Gilgamesh (obviously), why it still matters after 4000 years, and most importantly, why Tablet XII is canon despite what homophobic translators have done with it over the past century or so. It's so good you guys. It makes me happy every time I listen to it. radiantfracture is just one of the most brilliant people I know and hearing him geek out about this is a delight you won't want to miss.

 Just finished: Service Model by Adrian Tchaikovsky. This one was really fun. I have three more Hugo nominees to read but so far this is on top. There's something weirdly quaint about it—it's a girl and her robot story, or rather, a robot and his girl story, these two absolute oddballs wandering a post-human wasteland on a quest for meaning, and I can read like a thousand stories with this concept and not get bored if the author pulls it off. Which I think Tchaikovsky does. IMO his stuff either floats your boat or it doesn't but I find him incredibly fun and humanist and this was a delight.

UpRising by Kelly Rose Pflug-Back (ed.). This is an ARC and I don't know when it's coming out, but when it does, you should read it. It's an anthology, mostly poetry, about mad pride/mad liberation and most of the writing is stunning. It's dark stuff—besides the mental illness, there's addiction, homelessness, police brutality, and so on—but written with unbridled passion and compassion. Interestingly enough, there's a story by A.G.A. Wilmot in it (the author of Withered, which I went on a big rant about last week). As with that book, the protagonist is asexual and has an eating disorder but there's nothing cozy about the story and it was actually one of the highlights for me.

How To Write a Fantasy Battle by Suzannah Rowntree. Another ARC, this is a short little book that is exactly what it says on the package. For reasons, this is pretty relevant to my interests right now, though it focuses more on medieval-style warfare than, say, urban guerrilla fighting but with wizards. That said, it is an accessible walk through the big concepts that apply to a number of different settings, using examples from the Crusades to the Russian invasion of Ukraine. Super useful, well-written, and even entertaining.

Currently reading: A Sorceress Comes To Call by T. Kingfisher. I just started this one. It's about a girl named Cordelia who grows up with a, shall we say overbearing?? mother. Who is able to make her "obedient"—basically paralyzed, mute, and silent at will. She's not allowed to close her door, and her only joy in life is riding her horse, which her mother approves of because it'll help her get a suitor. She befriends a girl in town who also likes riding. That's about as far as I've gotten. Very creepy so far, though, I'm intrigued.